In a week devoid of any major releases, we still saw some major changes at the box office, with familiar faces like Kong: Skull Island, Power Rangers, and Get Out (RIP) all falling from the Top 10 in favor of new releases or aggressively expanding art films. Of course, not everything was different; if you read these box office reports every weekend, I’ll bet you can name the top three movies (in order) with minimal effort. Here’s the weekend box office projections as of Sunday afternoon:
Audiences don’t turn their back on family. That’s the lesson to be learned from this past weekend, anyways, when The Fate of the Furious proved that this is one franchise showing no signs of slowing down. It was never a question of whether The Fate of the Furious would take the top spot this weekend, but even the most optimistic of projections couldn’t have expected the global domination that this movie undertook. Here’s the box office estimates as of Sunday afternoon:
Welcome to the calm before the storm. With a handful of blockbuster movies already released, and more on the way, the second weekend in April was a relatively quiet affair, with a few old favorites dominating the weekend yet again and a few new releases grabbing whatever box office they could before things get fast and furious at your local multiplex. Let’s take a look at the projected grosses through Sunday afternoon.
While nobody would argue that Hollywood needs to make more movies about Hollywood, there does seem to be an opening for Hollywood to make more movies about the impact of movies in general. We spend hundreds (even thousands) of hours each year watching films, and yet, many of these movies don’t really explore the impact that movies themselves have on our lives and our culture. At the risk of getting a little too meta, a smart screenwriter might tackle the notion of how the movies affect the life of someone on the outside of the industry.
For franchise movie fans, nothing grates on the nerves quite like the lull between the day production wraps on a new movie and the day the first teaser drops. Production has been finished on Star Wars: The Last Jedi for a few months now, and since we’re not quite sure when Disney will be releasing the first trailer for the film, we’re latching onto any piece of information we can get about the new film or any new Star Wars content, period. In short, we’re in the business of reading too much into Mark Hamill’s Twitter account.
While the giant ape in Kong: Skull Island may not climb any New York skyscrapers this time around, he certainly did climb the box office charts. The latest Warner Bros. monster movie shot all the way to the top spot in its opening weekend, with Logan and the surprising hit Get Out both shifting one spot down to accommodate him.
With everyone’s feeds full of horrible news stories these days, you’ve probably already forgotten about the video of alleged animal abuse on the set of A Dog’s Purpose. Back in January, TMZ shared leaked footage of animal handlers aggressively dragging their canine star into a tank of water. The clear signs of the dog’s panic caused an internet firestorm, with star Josh Gad distancing himself from the project and PETA calling for an immediate boycott of the film. A Dog’s Purpose still performed well enough in its opening weekend, but the scandal no doubt cost it ticket sales at the box office.
Here are some facts you may not know about the 2001 Owen Wilson-led war thriller Behind Enemy Lines. First, despite overwhelmingly negative reviews, the movie was a box office success, grossing over $90 million worldwide. Second, the film spawned three loosely related direct-to-video sequels: Behind Enemy Lines II: Axis of Evil, Behind Enemy Lives: Colombia (starring Joe Manganiello!), and SEAL Team 8: Behind Enemy Lines. And finally, despite nobody anywhere requesting it, Fox is about to give us our very own Behind Enemy Lines television show.
After years of watching a certain segment of fans argue over which Enterprise captain was the best, I think it might be time for Star Trek fans to admit that they’re no longer the leader in casting fan arguments. Now all the cool kids want to argue over which Batman actor played the role best. While the obvious answer for most millennials would be Christian Bale, I tend to gravitate towards the early performances of Michael Keaton, a Batman who was a bit more believable as an intellectual than subsequent versions of the character. To each their own, I suppose.
While Tom Holland’s introduction as Spider-Man in Captain America: Civil War has to be considered a rousing success, perhaps our favorite part of the character was what we didn’t see: namely, yet-another origin story that puts him through the familiar paces of spiders, wrestling, and that old yarn about great power and great responsibility. Any self-professed Spider-Man fan knows Peter Parker’s history like the back of his hand; the fact that Captain America: Civil War was content to pick up the character’s life midstream bodes well for Marvel’s approach to the character in Spider-Man: Homecoming.
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