Almost exactly a year ago, tech entrepreneur Sean Parker (better known as the guy who correctly identified a billion dollars as cooler than a million dollars in The Social Network) fronted a proposed business venture called The Screening Room, a potentially game-changing set-top box through which Hollywood studios would offer their biggest new releases to stream at home the same day they premiered in brick-and-mortar theaters. (With an astronomical price tag, naturally.) Though it gained some traction and support from significant voices in the film community, it ultimately sputtered and spun out. But with the rebirth of spring, so comes a rebirth for this impractical, frightening, cineplex-annihilating idea. (Kinda.)
The hyper-competent likes of Sherlock Holmes and Hercule Poirot have their place, but when it comes to detectives, I prefer the bumblers — your Clouseaus, your Columbos, your Ace Venturas. Whether inadvertently stepping on clues or grilling perps in farcical interrogation sessions, sleuth stories come bursting wth potential for humor, and it looks like Jeff Garlin will be the latest actor to follow the zig-zagging footsteps of the goofy gumshoes that came before. Today brings the first trailer for Netflix’s upcoming mystery movie Handsome, and with it, our first look at Garlin’s accident-prone (and well-named) LAPD homicide investigator Gene Handsome.
Did you know that they apparently made another Terminator movie in 2015? Despite having seen it in theaters back during its original run, this still strikes me as new, hard-to-believe information. If there was really a new installment of Arnold Schwarzenegger’s popular sci-fi/action franchise as recently as two years ago, wouldn’t someone remember that? Wikipedia claims that the film (subtitled Genisys, which sounds fake but okay) attempted to launch Game of Thrones star Emilia Clarke’s big-screen phase of her career, included a clutch starring role from Ahnuld himself, and earned the second-most of any entry in the series. Call me crazy, but that seems like a pretty major occurrence to have entirely fled the public‘s collective pop-cultural memory. I’m skeptical — does this look like a real movie to you?
Ever since the now-infamous photo of Pennywise the evil homicidal clown peeking out of a drainpipe surfaced online, fans of Stephen King’s seminal horror novel It have been concerned about Seth Graeme-Smith‘s upcoming film adaptation. There was fair cause for worry, too; it looked as if light was coming from several different sources, like a hasty photoshop job one might find on the box art for some direct-to-DVD cash grab. The only person who could really set the It devotees at ease would be Stephen King, who has seen dozens upon dozens of his works make the jump to the silver screen. And it would appear that he’s now done just that.
Zack Snyder made a lot of enemies with Batman v Superman: Dawn of Justice, but critical dressing-down and scattered fan backlash won’t stop him. To quote esteemed post-structural thinker Missy ‘Misdemeanor’ Elliott: to those of you who hated, you only made Zack Snyder more creative. The director has redoubled his efforts as he continues work on the post-production process for the Justice League movie due November 17. They wrapped shooting back in October, so all that’s left is the time-consuming and often tedious process of digitally piecing the film together in the editing suite. But ever the barker for his corner of the D.C. universe, Snyder has offered his many supporters a glimpse into the in-progress cut that he’s toying with at present.
Will Arnett’s gravelly voice has defined some of his most beloved roles: it made his bombastic doofus G.O.B. into Arrested Development’s MVP, it turned him into a worthy rival for Jack Donaghy on 30 Rock, and it perfectly suited him for the role of the Lego universe’s Caped Crusader. As the star of The Lego Batman Movie, he brings a certain actorly gravitas to every punch line, and the best part is that he can take that skill with him anywhere. Trying to quell a dispute between his kids? Batman lays down the law. And in a new segment from the BBC Radio 1 station, he puts his voice to good use once more, as a prank on an unsuspecting toy store.
Francis Ford Coppola was a pretty intense dude during the ’70s. He damn near lost his mind while shooting Apocalypse Now in the jungles of Southeast Asia, a quagmire duly chronicled in the documentary Hearts of Darkness. While shooting The Godfather Part II on location in Trieste, Coppola told Italian journalists, “To some extent, I have become Michael.” He’s a larger-than-life character, and it’s only fitting that he’ll now be dramatized himself.
By the late ’70s, Clint Eastwood had made a name for himself as the tough-guy star of cop-on-the-edge flicks and spaghetti Westerns, his permanent grimace a symbol of macho heroism. As the star of the Dirty Harry franchise, he fashioned himself as a protector with an edge, and in Sergio Leone’s epochal Dollars trilogy, he nearly ascended into the annals of cinematic legend. Having built up all this public goodwill, Eastwood decided the time was right to use that clout on the kind of project actors dream of their whole lives: a buddy comedy where he stars opposite an orangutan.
We’ve got 11 long months to go before anyone will get a look at Star Wars: Episode VIII, so Lucasfilm has tried to pace itself with leaking details of the hotly anticipated upcoming release. Today, however, they dropped a big one: on the official Star Wars web site, a new announcement revealed the subtitle for the eighth installment in what the site refers to as “the Skywalker saga.” The post declared, “We have the greatest fans in this or any other galaxy. In appreciation of the fans, we wanted them to be the first to know the title of the next chapter in the Skywalker saga: STAR WARS: THE LAST JEDI.”
The most jarring line in the new trailer for James Mangold’s increasingly buzzy Wolverine spinoff Logan comes when the gruff mutant informs his young charge, “This is the real world. People die.” He tells her this after seeing one of her vintage X-Men comic books, and informing her that the team’s actual exploits bear little resemblance to what’s on the page. It all sends a clear message: this is a film unlike the solo Wolverine pictures that came before it, distinctive both in its high stakes and self-awareness. It’s a sharply written moment, but the new clip doesn’t linger on it for too long before getting to the good stuff — in this instance, a young girl cutting off an adult man’s hands.
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